In the national art of the mid-1950s, the resort to abstract art was widespread in the “unofficial” environment. Artists of the then young generation were getting acquainted with the language of geometric abstraction from the followers of Russian avant-garde artists or were discovering different art by visiting the storerooms of the Tretyakov Gallery and reading magazines brought from the West.
The Moscow school of geometric abstraction is diverse in its manifestations; each of the masters contributed his own peculiarities to its development: Vladimir Andreenkov, Ruben Apresyan, Tatyana Badanina, Alexey Kamensky, Alyona Kirtsova, Vladimir Nemukhin, Eduard Steinberg, Aleksandr Yulikov, Valery Yurlov. The exhibition will feature the works of eight authors who worked in various forms of visual art – in painting, drawing, sculpture, objects and media.
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